Monthly Archive for July, 2007

Marguerite

What follows is a true account of an odd job I picked up in Portland. It was a strange, affecting experience and I have been meaning to write about it for some time. So I sat down and wrote about it. It's a bit stilted and awkward, but it feels good have out with it.

I found Marguerite through craigslist. Having recently finished college, I was desperate for the odd job, but also for the structure in my day. She hired me to clean and organize her house for a highly anticipated "guest." I was put off when she demanded I be "clean cut" at least three times over the phone, her deep voice full of scrutiny. But upon meeting, I found her refreshingly shrewd.

After eight hours of wiping dust from the white molding in her bedroom, scraping apple sauce off her refrigerator shelf, and finding silky, coral-colored panties mixed-up with her son's laundry, I wanted her to know me, too. I wanted her to look in my eyes and match her menopausal wisdom to my soul. She was blunt and prim and phobic, but also maternal, accommodating and bright. By the end of the first day, I could have lived and died by her razor judgment. I felt like she could help me map the poles.

I am tempted to write a list of things I saw in her drawers and cabinets and let you find her there. After all, they were sufficient for me. But you need to see the objects in relation to each other. A feminist essay on faith and creativity stacked above something titled From Fatigued to Fantastic. Vaginal cream (not a lubricant) on the nightstand inches from a purple stuffed poodle, overturned. A mist of organic, all-purpose household cleaner and the citrus scent of moist dusting wipes.

Domestic tasks generally make me feel like I am twiddling my life away, but here, I went over and beyond my duties. I wanted Marguerite to notice that I had washed the windows without her asking, and found a much more sensible place for the cereal. At one point, surveying boxes left unpacked for the past two-and-a-half years, I wanted to scold her. I wanted to talk to her like I would to my own mother. When are you ever gonna use this beaded keychain?

Most of my second day at Marguerite’s was spent weeding her front lawn. I think weeding is senseless (I won’t explain myself here) but I attacked that lawn like a face-full of pimples. With a shovel, hoe, and serrated spade I exorcized a white web of roots from dry soil. I was fifteen again, steaming open my pores and squeezing every last centimeter of my acne-ridden face. I obsessed over the furtive network of dandelion tentacles I had surely missed. I made piles of my roots, the crisp threads, and looked back at them with satisfaction. I would subdue that yard with my relentless prodding and stabbing, make it shine like the shaved back of a animal. And I nearly did.

It was all therapeutic. I liked the daylight sliding through the blinds, liked to feel it change from room to room, hour to hour. I also liked performing to very clear, measurable standards. I genuinely hoped she would call me again. I continually stressed how much I love organizing. It would be fun cleaning out your garage, I said, I’m grateful for the work! If she had asked me to do the same task twice, I might have thanked her.

I haven’t heard from Marguerite since. Surveying her weed-less lawn, she said, Looks good enough. Glancing under her son’s bed, she questioned, Did you vacuum down here? How could she know I wanted to lay myself on the living room rug for her assessment? As a 22 year-old woman who never speaks to her mother, I wanted Marguerite to make a clinical estimation of my options, plans and dreams. Or maybe put a hand on my shoulder and say, laughingly, God, you’re young. You can’t possibly know what you want.

I don’t want to emulate her, a work-at-home author of user’s manuals for IBM software. Confronted with her belongings, the artifacts of midlife and of all the choices that preceded midlife, I sensed the distance between what we intend and what we accomplish. It’s not a cold distance, or an impossible cliff, it’s the divergence of paths that touched once but will not touch again. I could see this between flicks of the bed sheet; I could see this often works out for the best.

Our lives work towards ends we never considered. I could read this on the walls, I just wanted her to issue the warning. You touched once, but touch no longer. It’s minutiae, consequential minutiae. Which, I suppose, is all meaning ever is.

This Fathom-High Body

I lay low:There are (I think) no films of me, no TV appearances. For any questions about my stuff, refer to the texts themselves. -- Annie Dillard

There are, however, recordings of her voice. Her disappointingly nasal drone has been captured at multiple public speaking engagements. I am listening to her read a translation of the Buddha: “In truth I say to you that within this fathom-high body lies the world and the rising of the world and the ceasing of the world.” I am thinking of how Annie was first delivered to me on the page; how each printed word resembled, to me, a deer’s hoof print; how her voice was the thud and clack of a typewriter in my head.

I am forcing myself to listen to her lecture, trying to ignore her currency. I am trying not to picture her husband and child while she mentions them. I am imagining her face, eyes blinded by the stage lights, and not the enthusiastic audience. Having already evoked them, this is, of course, impossible. The audience, her smoker’s rasp, the words of the Buddha--she has come light years from the young poet who stalked a muskrat just to stare it in the eye. Or, more likely, this is who she’s always been.

Why am I disappointed? After all, her jokes come off much better aloud than on the page. My ridiculous illusion goes like this: When I read Annie, I begin to think transcendence really exists. It is something really different, I think, When you catch it, your hair turns stark white and you can hike for days with only a palmful of grain. The Annie I created in my mind was a promiscuous, but single, graying hag since age 17. She officiated weddings for animals and performed tender surgeries on children. She was evolved.

And now? She’s still all those things, and probably more, but she’s also nice. She also gets very thirsty on stage, gulps down water, and then imitates herself by gobbling like a turkey. It’s not that her transcendence isn’t real, its just that it’s familiar. Judging by Annie’s public persona, my 10h grade English teacher with the bald spot who danced a hip hop routine for the whole school was actually in a state of grace inaccessible to the rest of us.

So this isn’t something new, and it isn’t something depressing, but it is something. Annie made me hope that one day, when I transcended, I’d be able to tell. My sublimation into the uncategorized Universe would be obvious from the ring of smoke that always surrounded my feet. I would start craving mahogany and going to church again. I’m not so sure anymore. Her voice came through my laptop speakers like muffled tin and I had to ask myself, How do I know that the world and the rising of the world and the ceasing of the world isn’t in my fathom-high body right now?

At the height of my obsession with Annie, I wrote: I wish I could hunt your voice--that heavy stone ribboned with skin and capable of blood--or maybe break your fruit from its tender neck and find the seeded heart, halve its star....Still, your little voice carries its cold shell forward, a rivulet between my spruce and climbs.

Here's to you, Annie Dillard.

Kissing Paws

The last couple weeks I have had the burden and the privilege of telling new friends about my family, my history and my school. I got to select, explain, retell, deny and affirm. But the best thing I got to do was admit; I eventually owned it all.

Once again, I sound like a group therapist. I write poems to overcome this; to hide my hackneyed way of saying. Poetry lets me admit things without making anyone else uncomfortable. I am not a group therapist, but I could empathize with one.

I have two poems to share. I trust you'll find the theme.

(1)

Once, before you were born, your mother was kissing paws and being kissed by your labrador.
It was a tender moment, the two bodies equally repelled by the North and South poles.

Once, your mother was pregnant.
Your recently calcified bird-weight was glued to her twenty-nine pound skeleton.
You did not see your labrador slick his ass ”˜cross the carpet in ecstasy.
Nor did you see your mother, in ecstasy, began to levitate.

They were twin bodies in one amniotic sac.
They were sister moons kissing at cross orbits.
She was waiting for you to get heavier.
She was waiting for you to come without knowing what she was waiting for.

She kissed you once and plummeted from orbit.
You would never see her sweater dress, or your labrador’s paw prodding at the pit of her knee.
Once, your mother screamed and spit you out, done with waiting.
She would never see the look on your labrador’s face.

Once, before you were born, your family was incapable of fleeing.
Once, she took limp naps on the couch and had dreams about taking limp naps on the couch.
When you came she cocked her head, sat up, and tucked her knees to her chest.
And once your labrador lowered his head, you were already here.

(2)

Leaning over
dishwasher steam,
baptist's pipes on
the radio,

Mom stuns me with
orations on
healing rooms, false
hope, multiple

sclerosis and
spirit warriors.
'There is no such
thing,' she winces.

Her hands sketch four
convex arcs--four
falling salutes--
forehead to hips.

Faithful as a
body in a
field of force, I
move toward my

dog, half asleep
in the chair. His
warm coast of fur
now opening.